ROLE
Digital Matte Painter
3D Generalist
CLIENT
Marvel Studios
RiseFX
PLATTFORMS
Cinema Screen
Captain America Civil War
Tony joined RiseFX to help working on Captain America Civil War, there he was responsible for some parts of the Lagos sequence.
ROLE
Digital Matte Painter
Concept Artist
CLIENTS
20th Century Fox
RiseFX
PLATTFORM
Cinema
Matte Paintings of Lagos
The invisible backgrounds
To help the story telling of this feature film. I was responsible for creating the moody view from the Brooklyn Bridge into the New York Skyline. besides creating the extention of the bridge entirly in 3D using Houdini and Maya. Was I also responsible for the research of the bridge doing that time as well as the concept design of it. The concepts were pitched to the director and vfx supervisor. Once it was approved I went go on to create it in 3D. I also created a slap-comp in Nuke which later got shared with the compositing department to finalize the shots.
Crossbones Gun
Lets final that thing
To help the story telling of this feature film. I was responsible for creating the moody view from the Brooklyn Bridge into the New York Skyline. besides creating the extention of the bridge entirly in 3D using Houdini and Maya. Was I also responsible for the research of the bridge doing that time as well as the concept design of it. The concepts were pitched to the director and vfx supervisor. Once it was approved I went go on to create it in 3D. I also created a slap-comp in Nuke which later got shared with the compositing department to finalize the shots.
